Its about random thoughts about life, art, design and the things that matter to me.
Thursday, April 26, 2007
What is web 2.0 ?
This may seem a strange statement coming from someone who has designed a few sites that may be deemed as Web2.0 but there’s a big confusion as to what exactly Web2.0 means.
So what does it really mean? Everyone is talking about it but it has different connotations for each person. What originally started out as a label for a set of technologies, later expanded to include a specific graphical look and even a general philosophy on interaction methods. As far as technology goes, web founder Tim Berners-Lee said it best: “this ‘Web 2.0,’ it means using the standards which have been produced by all these people working on Web 1.0.” So nothing new here, except, maybe, that the continuous evolution of browsers may have finally enabled the use of those technologies as it was meant from the beginning. In any case, the tools were finally developed and they suddenly provided the regular user with a lot more power than before; and with all this new found power, be it in the form of blogs, social networking solutions, wikis or content publishing and sharing systems, came a new breed of internet thinking, which some may refer to as the Web2.0 philosophy. It’s all about empowering the user as an active contributor of information in ways that are so straightforward that anyone can do it. Whereas a few years ago, you had to have at least some basic knowledge about HTML to put together and publish a few texts and images, now it’s as simple as a few clicks.
We now have myriads of users actively publishing content on the internet; but when it’s so easy to do it and all the barriers have been removed, what will the user do with this absolute freedom, especially considering his general lack of whatever publishing skills were necessary before? Too much freedom can be dangerous and the user will eventually abuse it. Just take a look at MySpace or other similar sites to see what I’m talking about. The designer’s nightmare is upon us – users are given the power to choose layout, colors, fonts, and all the flashy gimmicks they want.
All this freedom is not a bad thing in itself. What’s bad is that its results are mimicked in an attempt to gain from all this Web2.0 hype: “We want our site to look more like a ‘do-it-yourself’ type so that people will know it’s new and cool and Web2.0”. Trends have always been set by leaders and who are the leaders of this movement? Sites like MySpace, YouTube or FaceBook, who have generated an enormous amount of hype but, in the end, have done so through their innovative concepts and certainly not through their design, which is sub par at best.
This recent empowerment also led to a false sense of knowledge for a lot of people who otherwise don’t have anything in common with the intricacies of high quality design. Just because you’ve been browsing the web since the 14.4K modem, that doesn’t make you a designer; just because you know every programming language out there, from PHP to Ruby, that doesn’t make you a designer; just because you’re running 5 blogs and a very successful YouTube account, that doesn’t make you a designer; just because you know by heart every effect and filter available in Photoshop, that still doesn’t make you a designer.
I’m going to stress this one more time: Web2.0 is not about design, it’s about the quality of the interaction methods and the principles behind those have seen little change since the beginning of the web, whereas design trends come and go all the time. Quality interactive design is still what it’s all about, maybe even more today than before.
Tuesday, April 24, 2007
African Fashion designer
Embarking on the fashion b/ed
Who is your target market? Imagine who you want to sell to and who your perfect customer is. Describe them in detail.
What are your customer's needs? You can find this out by conducting surveys or interviewing people in the industry
What are the different segments of your target market (by needs, demographics, etc)
How are you going to market to these customers? (through what type of media or message)
What are the best channels to sell to these customers - retail, wholesale, or distributors?
Kenyan Film
Kenyan Film Industry Written by Amina Mohamed Monday, 23 April 2007
Last month Nigerian films made a sweep at the African Movie Academy Awards. Incidentally, only one film from Kenya was nominated, Voice in the Bin for Best Film.
A quick glance at the nominees shows that Nigerians had the most number of nominees in any category. Nigerian films have become increasingly popular in Kenya and the rest of Africa.
Every street corner has hundreds of these films-- a dime a dozen. When I first watched them I was amused by the Nigerian character. However, the charm soon wore off and the yelling and juju-filled stories only irritate me. There are not too many African films to write home about, however, Totsi from a few years ago comes to mind as a great story.
Too many times we criticise Hollywood for misrepresenting us, for telling our story, not through our eyes, but through theirs. Many of us criticize Hollywood films, even if slightly accurate in historical context, such as Blood Diamond and all the renditions of Idi Amin and other African dictators. For even if our rulers were evil, even if some of our past and present is not glorious we would rather not have Hollywood retell that story. At the same time, it isn't Hollywood's responsibility to tell our story.
I am not much of a movie buff, but a well-produced African film, especially a Kenyan one, would appeal very much to me. The film industry is undoubtedly an expensive venture. Bollywood and Nollywood , in their growing industries, have both shown that on a low budget one can still produce a film.
According to a recent report by ComMattersKenya Limited, 80 per cent of television programs are foreign, while almost 100 per cent of films shown at the cinema are foreign. One would think that the Kenya Film Commission (KFC) aims at creating an opportunity for Kenyan films, and growth for Kenyan film producers and actors and actresses. However, KFC's goal is much like that of the Kenyan Tourism Board, that to sell Kenya's image to Hollywood in what a great locale Kenya is.
Kenya is not without talent. A few years ago, a young Kenyan man produced a film that has been critically acclaimed-- HipHop Colony. Other noteworthy film producers and directors include: Njeri Karago and Judy Kibinge. Last year, the program Lola Kenya Screen gave an opportunity for budding Kenyan youth to produce animation films. Out of this came a complitation of nine films that in March won the Africa Grand Prize for achievement in a film made by children at t the fifth World Summit on Media for Children, held in Johannesburg.
The argument has been, for many, that films are too expensive to produce. However, Nollywood, Bollywood and Independent films across the world have proved that low-budget films are possible. Digital video recording, and increased access to technology will make what was an impossible feat a few years ago, a dream within reach.
While we must not follow all the way in Nollywoods steps, we could take a step or two in their direction. Following the history of Nollywood it is not difficult to see why its rise, albeit critism of poor quality, has resulted in its growth.
So, how about a movie with a real story, afterall, "Kenya is not just about fast running men and giraffes."
Monday, April 23, 2007
Fashion as art
Digital Viral fashion
HMMM... very cool in theory? great digital media project. No more laundry maybe. Read on... According to MIT researchers, fashion in the physical world is moving at a much slower pace than online. "[In the online world,] fashion has been moving faster and faster as communication systems become faster and faster," said Judith Donath, director of the Sociable Media Group at the MIT Media Lab, who is conducting this research with student Christine M. Liu.
Urbanhermes defines a communicative fashion framework that would ultimately consist of OLED-integrated clothing material that could display digital images and designs, updating whenever the user desired. For instance, a T-shirt could be solid blue one day and striped the next, she said.
These digital images could then be transmitted wirelessly to clothing worn by other people, thereby creating a sort of viral fashion, propagating in much the same way a virus does online. Each piece of clothing, in this example, would also have user-set permissions that could allow/disallow this propagation, or enforce a degradation of images upon transmission, ensuring that the original artwork is always the best quality.
The key to Urbanhermes, Donath explained, is to bring this propagation speed to the physical world so that changing the pattern displayed on your shirt or pants would be as simple as absorbing fashion from the person next to you, or even subscribing to a feed from a designer.
"In the physical world, fashion is not limited by the communication rate [like an RSS feed] but by material," Donath said. "People can't discard their clothing on a daily basis."
The proof-of-concept, which Donath admitted is simplistic, consists of a Sharp Zaurus PDA woven into a messenger bag. The LCD screen of the Zaurus, which features a Linux-based development platform, is visible through a clear plastic window. The device uses Bluetooth and infrared technology for proximity detection and data transmission.
While the idea of OLED-integrated clothing is not new -- the military has been researching adaptive camouflage for years -- the MIT approach to fashion and viral propagation is innovative.
Flickr, which is an website dedicated to photo sharing, is an example of electronic fashion, according to Donath. Images on Flickr's photo feeds change on a real time basis, and are propagated via the Internet. One method to display Flickr fashion, for example, would be to stream an RSS feed of community-supplied images from Flickr to a desktop PC to display as a screensaver.
"[With Urbanhermes,] the notion of fast fashion, as we've seen it on blogs and on Flickr, can migrate to the physical world of face-to-face urban integration," Donath said.
Wednesday, April 18, 2007
Art Sophisticate from Indonesia to Africa.
I was thinking of how African art, has evolved...or not.
well I guess it depends on where you are looking. At the Venice Biennale only the most "sophisticated" artists get invited. The craftsman who reproduces "art" for tourist commercial art, or colonial or tourist art has no place. I was delving into this subject trying to define my space. For a while it seemed as if thats all I saw. I was trying to understand why it seemed so post colonial, from gallery watatu, to African colours. I came to the conclusion that it was nolstagia driven. Don't get me wrong I came accross some phenomenal pieces like the Zimbabwean sculptures, saw quite a few of them at the airport in Atlanta Rodin step aside. They are massive and very expressive, not as predictable as the thinker. I like the thinker but what really blows me away about it is its massive larger than life size, Cest tout.
Back to the the Biennale my most favourite artist Yinka Shonibare, all his art is closely related to fashion. His statues wear the so called African fabric which is from Indonesia. The fabric got assimilated into the west African market and become the so called African batik, the Europeans come, with it from the Netherlands where its mass produced. Ever wonder why the batiks from Indonesia look so African?
Friday, April 6, 2007
Oumou Sy
Oumou Sy from Senegal is one of the most important African designers. She knows all techniques for making fabrics, coloring them and fashioning: her art of making clothes begins with weaving, dying, stitching. Oumou Sy combines fabric with materials like metal and vinyl and connects traditional African dessins with Western elements and motifs - sometimes the products have their own humor.
A tasty Mandazi
Artistic goodness
Found this article, very inspiring... Somerset Community College art instructor Darlene Libbey worked with some 40 children in the Mathare Children's Art Program located in the slums of Nairobi, Kenya. The program was started by Jacob Watchira, a Kenyan artist who spent the Spring Semester of 2006 visiting the University of Kentucky and SCC.
Wangechi Mutu
Text written by SFMOMA
Wangechi Mutu, a Kenyan-born artist based in New York, makes luscious yet unsettling pictures of female figures. Her painted and collaged works on Mylar function as potent social critique while simultaneously exploring more poetic strains of mythology and allegory as well as the sensuousness of form, color, and pattern. Particularly interested in myths about gender and ethnicity that have long circulated in Africa and the West, Mutu has adopted the medium of collage — which by its nature evokes rupture and collision — to depict the monstrous, the exotic, and the feminine.Thursday, April 5, 2007
For those who missed my Show.
African toys
Okay, I should have done this.
http://www.artmatters.info/film/theday.htm
Start ups in Kenya
http://startupkenya.blogspot.com/
kenyan blogs
http://www.kenyanpundit.com/
God of the genome
This would have been a perfect title for my digital media installation on mapping the human genome project.
I am always fascinated by this kind of articles, yes they are those that claim to be atheists, if there is no God, how do explain ...everything? that encompasses all the examples I was thinking of but obviously its everything I cant even isolate one event...infinity where would I even begin...Oh I remembered something about those creatures from Darwins theory of evolution, yes dinosaurs, some scientists discovered that, the creatures were hybrids of bones collected from different species, yeah go figure.
After so many theories the truth still remains a supreme being, God created the universe.
I found this article which I just had to add to my blog.
Editor's note: Francis S. Collins, M.D., Ph.D., is the director of the National Human Genome Research Institute. His most recent book is "The Language of God: A Scientist Presents Evidence for Belief."
ROCKVILLE, Maryland (CNN) -- I am a scientist and a believer, and I find no conflict between those world views.
As the director of the Human Genome Project, I have led a consortium of scientists to read out the 3.1 billion letters of the human genome, our own DNA instruction book. As a believer, I see DNA, the information molecule of all living things, as God's language, and the elegance and complexity of our own bodies and the rest of nature as a reflection of God's plan.
I did not always embrace these perspectives. As a graduate student in physical chemistry in the 1970s, I was an atheist, finding no reason to postulate the existence of any truths outside of mathematics, physics and chemistry. But then I went to medical school, and encountered life and death issues at the bedsides of my patients. Challenged by one of those patients, who asked "What do you believe, doctor?", I began searching for answers.
I had to admit that the science I loved so much was powerless to answer questions such as "What is the meaning of life?" "Why am I here?" "Why does mathematics work, anyway?" "If the universe had a beginning, who created it?" "Why are the physical constants in the universe so finely tuned to allow the possibility of complex life forms?" "Why do humans have a moral sense?" "What happens after we die?"
I had always assumed that faith was based on purely emotional and irrational arguments, and was astounded to discover, initially in the writings of the Oxford scholar C.S. Lewis and subsequently from many other sources, that one could build a very strong case for the plausibility of the existence of God on purely rational grounds. My earlier atheist's assertion that "I know there is no God" emerged as the least defensible. As the British writer G.K. Chesterton famously remarked, "Atheism is the most daring of all dogmas, for it is the assertion of a universal negative."
But reason alone cannot prove the existence of God. Faith is reason plus revelation, and the revelation part requires one to think with the spirit as well as with the mind. You have to hear the music, not just read the notes on the page. Ultimately, a leap of faith is required.
For me, that leap came in my 27th year, after a search to learn more about God's character led me to the person of Jesus Christ. Here was a person with remarkably strong historical evidence of his life, who made astounding statements about loving your neighbor, and whose claims about being God's son seemed to demand a decision about whether he was deluded or the real thing. After resisting for nearly two years, I found it impossible to go on living in such a state of uncertainty, and I became a follower of Jesus.
So, some have asked, doesn't your brain explode? Can you both pursue an understanding of how life works using the tools of genetics and molecular biology, and worship a creator God? Aren't evolution and faith in God incompatible? Can a scientist believe in miracles like the resurrection?
Actually, I find no conflict here, and neither apparently do the 40 percent of working scientists who claim to be believers. Yes, evolution by descent from a common ancestor is clearly true. If there was any lingering doubt about the evidence from the fossil record, the study of DNA provides the strongest possible proof of our relatedness to all other living things.
But why couldn't this be God's plan for creation? True, this is incompatible with an ultra-literal interpretation of Genesis, but long before Darwin, there were many thoughtful interpreters like St. Augustine, who found it impossible to be exactly sure what the meaning of that amazing creation story was supposed to be. So attaching oneself to such literal interpretations in the face of compelling scientific evidence pointing to the ancient age of Earth and the relatedness of living things by evolution seems neither wise nor necessary for the believer.
I have found there is a wonderful harmony in the complementary truths of science and faith. The God of the Bible is also the God of the genome. God can be found in the cathedral or in the laboratory. By investigating God's majestic and awesome creation, science can actually be a means of worship.
What is your take on this commentary?want a raise...
Yes I want a raise, so I am keeping this for my records...
More money is good, right? You're going to be doing your job anyway, so you might as well ask to get paid more for doing it.
But you actually have to do a lot of preparation in order to ask for a raise effectively. The most obvious preparation is to find out what everyone else is getting paid for what you do. A recent New York Times story gives a good overview of online resources for salary comparisons.
Here are five other things you can do to get a salary increase:
1. Understand your boss's perspective.
This is not a moment of truth, it's a moment of negotiation. You convince your boss you're worth more and your boss convinces you he or she is fair, and you reach some sort of compromise that makes everyone happy.
So be reasonable in your approach. You don't deserve a raise just because you've been doing your job well for x number of months. It's your job to do your job well -- that's why you were hired. You need to show that you're doing more than you were hired to do, or that you're doing different work that's typically paid at a higher rate.
Gather as much information about your boss's perspective as possible in order to form your strongest negotiating position. Consider this list of 10 things bosses hate most about employees.
2. Expand your job duties.
Get really good at your job immediately so that you can take on more responsibility in another job, in another capacity. Look around for something more to do, and figure out how to do it. Then tell your boss you're doing more than one job and you want to be paid extra for doing the other job you've already been doing.
If you think your boss will balk at the idea of you taking on more responsibility, start looking like your current job is under control. One way to do this is to have a completely clean desk. A clean desk says, "I'm totally on top of my workload. Please give me more." A cluttered desk says, "Help. I'm drowning."
(I'm not making this stuff up -- researchers actually study offices. Here's a summary of why you should have a clean desk.)
3. Consistently over-deliver.
Even during a salary freeze there's always more money for superstars, because losing a superstar costs a company a lot of money. So getting a raise is about conveying to the office that you're a superstar. This could be in the form of taking on more areas of responsibility, but it could also be in the form of exceeding expectations in a very obvious way.
Exceeding expectations is something that must be announced. If you finish your project, that's what people will understand. If you finish your project with incredible results, you need to remind everyone what the expectations were and what you delivered. If you don't toot your horn, no one else will. A hallmark of a superstar is they know how to toot their horn with out being annoying.
Superstars aren't overnight sensations -- they work at it. So start performing like a superstar six months before you want to ask for a raise.
4. Get a mentor.
Employees who have mentors are twice as likely to be promoted as those who don't, according to Ellen Fagenson Eland, a professor at George Mason University. A mentor can help you position yourself, time and again, to receive a raise.
An effective mentor helps you see your path in a way that maximizes your talents and stays consistent with your goals for life. This isn't small task, and almost all successful people say they have more than one mentor. But start with one, because that will significantly increase the likelihood that you'll get the raise you're going to ask for.
Unfortunately, for some people finding a mentor is almost as difficult as asking for a raise. So here are seven ways to find and keep a mentor.
5. Think in non-financial terms.
If more money isn't happening for you, try asking for something else. Telecommuting, a job for your spouse, extra vacation time, training, even relocation to a company branch in a city with a lower cost of living -- these are all things that are worth a lot of money to you, but look a lot less expensive than a salary increase in a company's budget. So non-financial rewards are a good place to compromise in salary negotiations.
Also, you can turn these benefits to cash next time you change jobs. When you negotiate salary at your next company and they ask you how much you made in your last job, add up all the benefits and include them in the number you give. Some people's benefits total up to 30 percent of their salary.
If the shy ones among you are thinking this isn't a fair negotiating tactic, get that thought out of your head. Even CareerHub, a group blog of career coaches, recommends that you include benefits in the total calculation of your salary next time you negotiate.
It's Not Just About Money
If none of these steps work, try not to be so obsessed with getting a raise. Think about it -- most raises amount to about 4 percent of your salary. That's nothing. Even if you earn six figures, 4 percent isn't going to be life-altering.
There are so many more things you can ask for that will actually improve your life, like training in a skill area you're interested in, or the ability to telecommute a few days a week.
Try focusing on the things that really matter to you instead of the dollar amount attached to your title. You may find that your salary will increase as a natural offshoot of the passion you develop for your work.
Wednesday, April 4, 2007
I have a passion for art, I recently found an image of an artist I used to work for back in the day I could not resist posting it. His name is Expedito Mwebe, really good artist I thought until I read this...Expedito mostly works in wood, etching, carving, crafting and creating incredible doors, panels and wood relief wall hangings that are three dimensional in effect. Using rich mahogany woods from Uganda and Congo, Expedito’s intricate wood incising has a subtle yet warm effect which will fill one whole room at the Kampala Serena. Covering his walls with surreal sorts of water creatures [including everything from mudfish to crested crane], Expedito’s designs are in keeping with the hotel’s motif of rivers and waterfalls such as one finds all over Uganda. In another article they called him a genius. I must say I have done searches on him before but this was the first tome in years that I was able to find an article on him, not to mention they placed the wrong name under this image.
back to blogging
First and foremost, my most current project www.mappingfgm.com
site about the horrible reality of fgm