Flamingoes in lake nakuru

from krbloomer's photostream
Rhino at a private game sanctuary in Kenya. See RealAdventures website for more information

foods for life

Cool blog on foods that are healthy and easy to make

Wangari Maathai

Wangari Maathai gets the image NAACP award for her commitment in protecting the enviroment. Nobel Peace Prize

She also won the Nobel Peace Prize in Oslo, Norway, December 2004.

So inspiring!

beautiful smoke art

Truly awesome and inspiring!
Alberich Mathews and kamalaika JayPH

stunning underwater photos

Anatoly Beloschin

How to Become a Wedding Planner

How to Become a Wedding Planner from ehow.com
Step1
Possess a passion for details. Wedding planners are very detail-oriented people and they thrive on the small things that most people never notice. Treating each party or wedding like it’s your own is an essential part of becoming a wedding planner.
Step2
Take some event planning courses. Since this is a flourishing career in the last several years, you can likely find event planning courses at your local community college or as an adult education class. Also, take some business classes to help you run your wedding planning business so you can make a profit with this career.
Step3
Register yourself as a wedding planner. Have a name for your company, such as “Sally’s Wedding Planning Services,” and register it with the local courthouse. Choose a name that is clever and explains what you do, but make sure it’s a name that potential clients will also take seriously.
Step4
Advertise your wedding planning services. Look through your local newspaper for newly engaged couples and send them brochures about your business. Hang up flyers and create a buzz that will make potential clients take notice.
Step5
Create an attractive website. In this world of online business, even the small businesses need a web presence to stay competitive with others. Hire a professional to design your website if you need to. Many times, this will be the first impression that potential customers get of your services.

Oh my Gosh

History unfolds Obama is president! We look forward to a bright future.

destination weddings in Africa

I am researching wedding venues in Africa...

Kenya
Depending on the couples wishes I have stumbled upon quite a few destinations

For the romantic idyllic tourist you have a choice between national parks, beach or
theme garden weddings in the city.

National parks include...Aberdare, Amboselli, mount Kenya, Maralal, Meru, lake Naivasha, Shimba Hills, Lake Nakuru, Tsavo, Lake turkana, Samburi, Masai Mara.

Mombasa wedding by the Indian ocean...choose from a a variety of beach hotel...
Severin, White sands, Diani, Masai Mara leopard beach resort...

Kenya: Competition Stiff As Wedding Industry Booms

Kenya: Competition Stiff As Wedding Industry Booms

Wanjiru Waithaka

12 March 2008

Meeting Hope Mwinzi, soon after she launched her bridal magazine - Raspberry Weddings - the question that instantly came to mind was: Do we really need yet another bridal magazine or Expo in Kenya? Can there be that many people getting married to justify all the people falling over themselves to serve this niche?

The answer is a resounding 'Yes!' Ten thousand marriages were registered two years ago and the figure has grown since. Although guest lists are getting smaller, with an average of 150 to 300 people compared to over 500 a few years ago, the amount spent per weddings is increasing as brides try to outdo friends by having the most exclusive and unique wedding.

"In 2002, I started a wedding planning business, but soon closed it down because people were using committees to organise their weddings.

"Nowadays I get clients who say they want what they saw on a TV show or international magazine and they are willing to pay for it," says Ms Mwinzi.

Ms Esther Njuguna, a wedding planner, says she's booked solid till December - with an average of four weddings a week. In less than a decade, the wedding industry has grown from nothing to mainstream and couples have a wide variety of suppliers to choose from, be it wedding planners, florists, caterers, providers of tents, limousine services, venues, even hotels which now have special wedding packages.

Supermarkets have joined the bandwagon with wedding lists where couples can choose which gifts they want to receive from guests.

But like many older industries, which experienced rapid growth in a short period of time, the wedding industry in Kenya is experiencing growing pains as competition stiffens.

Lack of regulation has resulted in some fraudsters riding on the good name of established brands to fleece clients. "The biggest issue is standards because many people are entering the industry jua kali style, with no training and money is their first priority, not good service," says Sue Muriuki of Divine Weddings.

This has become the biggest headache for established brands because most suppliers get new clients from referrals and a company's reputation is its best asset. "People are taking advantage of brides by passing off as well known suppliers and taking money then failing to supply services on the material day," says Ms Catherine Masitsa, founder of Samantha Bridal magazine.

Greedy managers of wedding venues are known to overbook their premises so that couples promised an exclusive venue get a shock when they arrive for their reception only to find two or three other weddings also taking place, constraining parking space for their guests not to mention the nuisance of noise spilling over from the other celebrations.

To tackle these challenges, 100 players in the industry have come together and formed the Wedding Service Providers Association to strategise on how to regulate the industry.

A bride

Among the actions being considered is registering members who meet a certain minimum level of standards and providing them with a logo to distinguish them from other industry players. It would also be a central place where clients can forward complains to if they get bad service, with the association playing the role of arbitrator.

"Members will be bound by a code of conduct and will know someone is watching them. But more than that, it will help to protect brides from unscrupulous companies because if you're messed up on your wedding day you can never get that day back," says Ms Masitsa, the chairperson of the association.

Ms Muriuki, on the other hand, is on a mission to certify wedding planners in East and Central Africa after they undergo a six-month course. She is a member of Weddings and Beautiful, a 52-year-old American wedding training company.

As the industry grows, segmentation is also becoming more visible in the prices charged by industry players. At the low end are wedding planners who charge Sh25,000 to Sh30,000 while at the top end are planners who charge Sh100,000 and over.

While some players base their fees on a percentage of the total costs of the wedding - anywhere from five to 20 per cent - others base their fees on the amount of work involved in planning an event. "If someone asks for black roses that are very hard to get we charge more for this. It also depends on the number of events we'll have to co-ordinate, for instance, some people have more than one cocktail," says Ms Mwinzi.

The huge disparity in the amount couples are spending on weddings also presents opportunities for new entrants as they can tailor their products and services to serve people with different pocket depths.

For instance, one couple can spend Sh300,000 for their entire wedding while another spends the same amount on flowers alone. High end weddings, with all the trimmings, have been known to cost upwards of Sh3 million.

In one such wedding the bride's dress cost Sh400,000, purchased from a top designer in the United Kingdom. This excluded the cost of travelling to the UK for three to four fittings. "Such spending seems irrational when you consider that we have bridal wear suppliers locally, but it's the perceived value that counts for such brides," says Ms Masitsa.

The need to have a unique wedding that rivals anything their friends have had is driving more brides to hire wedding planners and has put a premium on creativity, with brides ready to pay more for good ideas that will help their weddings stand out.

Competition is quite high and you need to be quite creative to succeed. This means keeping up with the latest wedding trends," says Ms Njuguna who recently started a bridal magazine, which is now in its fourth issue. Last month she also launched a bridal expo (Harusi Yetu) to join the three others already in the market.

Copyright © 2008 Business Daily. All rights reserved. Distributed by AllAfrica Global Media (allAfrica.com).

African wedding south Africa

Planning a wedding in Africa here are some resources

South Africa
weddingchannel

Kenya
Leadex safarisNot really a wedding site but has quite a few leads to hotels and tourist activities in east Africa.

Amazing children art

Sylvie Daigneault does amazing illustrations for childrens books with colored pencils.

I am mommy!

I am a mommy and I love it's the most amazing feeling.

I am back

Took a short break but I am back, let the blogging begin!

nice bold

something about this image

The possibilities. Very inspiring...

splash of refreshing colors

I couldn't resist...

New York Talk Exchange

and another one from http://www.visualcomplexity.com/vc


Year:
2008
URL:
http://www.aaronkoblin.com/work/NYTE/index.html
Project Description:
New York Talk Exchange illustrates the global exchange of information in real time by visualizing volumes of long distance telephone and IP data flowing between New York and cities around the world.

In an information age, telecommunications such as the Internet and the telephone bind people across space by eviscerating the constraints of distance. To reveal the relationships that New Yorkers have with the rest of the world, New York Talk Exchange asks: How does the city of New York connect to other cities? With which cities does New York have the strongest ties and how do these relationships shift with time? How does the rest of the world reach into the neighborhoods of New York? The size of the glow on a particular city location corresponds to the amount of IP traffic flowing between that place and New York City. A greater glow implies a greater IP flow.

The NYTE project has been on display at MoMA The Museum of Modern Art, part of the Design and Elastic Mind exhibition, and the real time data is being provided by AT&T.

Visual Complexity

Then I found more amazing visualizations of data


URL:
http://www.timenetwork.org/
Project Description:
time=net.work was born in order to measure and evaluate transportation network complexity. As the author explains: "After having read the amazing A. L. Barabasi's Linked, I decided to develop some new approaches towards networks dynamics. How Ordered are they? How Small are they? How Robust are they?".

According to Fabio Lamanna, during the last years many physicians have been interested in transportation network analysis, laying the theoretical basis for extending complex network knowledge to real dynamical systems. Time=net.work tries to apply and verify physical theories on real systems, using timetable data of real moving entities under fixed constraints.

The main subject of study for the time=net.work project has been the Berlin urban network, consisting of U-Bahn, S-Bahn and Regional Bahn lines; strongly interconnected with Bus, Strabenbahn and Metrotram vehicles. The complex network approach requires a simple tool to analyse the dynamics of different transportation modes on real infrastructures. The image shown here represents the distribution of travel times and betweenness centrality of the entire Berlin transportation network.

mapping data

I have always been very interested in finding interesting ways to visualize data.
I stumbled upon this very fascinating project.

more from the artist

Description

Email became an integral part of my life in 1998. Like many people, I have archived all of my email with the hope of someday revisiting my past. I am interested in revealing the innumerable relationships between me, my schoolmates, work-mates, friends and family. This could not readily be accomplished by reading each of my 60,000 emails one-by-one. Instead, I created My Map, a relational map and alternative self portrait. My Map is a piece of custom designed software capable of rendering the relationships between myself and individuals in my address book by examining the TO:, FROM:, and CC: fields of every email in my email archive. The intensity of the relationship is determined by the intensity of the line. My Map allows me to explore different relational groupings and periods of time, revealing the temporal ebbs and flows in various relationships. In this way, My Map is a veritable self-portrait, a reflection of my associations and a way to locate myself.
Notes

My Map can be viewed as a large scale static print (40″x40″ archival inkjet) or as an up-to-date dynamic visualization (see Quicktime video above). The interactive program is written in Java and uses the Processsing libraries, MySQL and various other libraries. The software includes a custom IMAP email client and a VCF address book parser that parses contact information and their images. This particular visualization strategy was influenced by similar cicular relational structures such as CAIDA, SCHEMABALL, GNOM, etc. Much of my initial email visualization research was influenced and inspired by the work of Judith Donath’s Sociable Media Group at MIT — particularly the work of Fernanda Viegas.

Designer furniture

Africa--Flow and ingenuity

Every once in a while i ran into a great article about Africa.Copied from www.smashingmagazine.com its about getting inspiration from different places.

Kampala Uganda

History. The city grew as the capital of the Buganda kingdom, from which several buildings survive, including the Kasubi Tombs (built in 1881), the Buganda Parliament, the Buganda Court of Justice and the Naggalabi Buddo Coronation Site. If you saw the movie “The Last King of Scotland”, you know everything worst about Uganda. Well, the good news is, that was thirty years ago. Since then Uganda has rebounded to become one of the more stable and progressive regions of East Africa. The economy is healthy, the people are lovely and interesting and the equatorial climate is gorgeous! Careful getting around though, the highest cause of death here is automobile accidents!

Getting there. Getting to the capital of Uganda is tricky. First, there are no direct flights in the U.S. Instead, one must fly through a connecting in Europe, Dubai or another part of Africa and then continue to Entebbe International Airport in Entebbe, Uganda. From there the ride to Kampala is only about thirty minutes via hired taxi. Altogether the entire process can take anywhere from 20 to 48 hours.

Natural inspiration. Africa is the home to many wonders of the natural world and this is no different in the country of Uganda. Safaris, wildlife, camping with chimps, gorilla tracking, skiing (yes you can ski in Africa), whitewater rafting and the incredibly friendly people make it one of the most inviting destinations in the whole continent.

Why it will inspire? Flow and ingenuity. You have never found flow like you’ll find it in Africa. Local farmers get completely immersed in creating things out of limited resources, exemplifying two of the fundamental aspects of good design (focus and resourcefulness).

my favourite companies/website

I am going to compile a list of my favourite companies and what they do.
First and foremost.


http://www.care-international.org



CARE is a leading humanitarian organization fighting global poverty. Non-political and non-sectarian, we operate each year in more than 65 countries in Africa, Asia, Latin America, the Middle East and Eastern Europe, reaching more than 50 million people in poor communities.

CARE helps tackle underlying causes of poverty so that people can become self-sufficient. CARE is often one of the first to deliver emergency aid to survivors of natural disasters and war and, once the immediate crisis is over, we help people rebuild their lives. While CARE is a large international organisation with more than 14,500 employees worldwide, we have a strong local presence: more than 90 % of our staff are nationals of the countries where our programmes are run.

Adobe adds flash to Acrobat

Hmmm flash in pdfs, interesting. see article from...http://www.pcworld.com
Monday, June 02, 2008 10:20 AM PDT

Adobe on Monday is set to unveil the next version of its Adobe Acrobat software, which adds support for the company's Flash multimedia technology. The company also plans to launch a new Web site offering users free hosted services for document creation, sharing and storage.

The move positions Adobe competitively against Microsoft, Google and other companies offering similar services online and signals Adobe's first major move into the hosted-services arena for business documents.

Combined, the two announcements support Adobe's broader strategy to offer rich-media capabilities through Flash and other technologies for both online and offline documents.

Wadawida

Currently looking for Taita boy names. Someone needs to post baby names, very hard to find those on the internet. For those interested in the taita culture from Kenya. This should be a fun project.
check out wadawida.com and http://wadawidatiki.blogspot.com.

I have no tribe---I am Kenyan

Yes we are tired of leaders using our tribes to separate us.
we declare ourselves tribeless.

Daima mimi mkenya.

I found this poem at

http://www.ihavenotribe.com


Though i have no tribe,
i do have roots
My roots are deep and wide
I have a Luhyia Father and a Kisii Mother
I speak Luo, kikuyu and Luhyia
I have a kalenjin sister
daughter of my father
I have a kikuyu brother
Son of my mother.
I practice Luo customs,
Indeed iam a true Kenyan
I find it hard that people want to categorise me,
For in their pleasure my parents gave me a rich heritage
its a heritage i am proud of,
though some my recoil at it.
I am a kenyan
Yes i am a true Kenyan
I know no tribe
and that is the truth not a cliche
for in our house there are all tribes.
I love my mother and father and siblings
for giving me such a true heritage.
I am a Kenyan
I have no tribe

objects of neccesity

Oumou Sy

Oumou Sy

Oumou Sy fashion

Africa on my mind

I found this very inspiring article on Mshale.com.

Despite what is going on in Africa, we have to keep going. We need to focus on being
problem solvers, thats the only way we will overcome. We cannot dwell on the past.

Here is bits of the article...by Moraa Gitaa , Mshale Correspondent

Fundamental Principles of Wealth Creation

To create wealth is to use one’s own thoughts or imagination to work in order to bring something unique into this world.
The following is the recipe for wealth creation.

To Create Wealth, One Must:

i. Solve somebody’s problem.
ii. Provide solutions that people are ready to pay you for.
iii. Solve problems of as many people as possible.

His other statement was that there is an abundance of problems in this world and that we need to look for these problems and solve them, and that will be wealth creation.

We thus need to:

1) Identify our unique talent:
Talent is a recurring pattern of thought, feeling or behavior that can be productively applied.
Talent is not an action first and foremost, but a way of thinking.
Our uniqueness is our strength. Nobody can ignore you if you are unique.
It is that difference that makes you strong.
2) Acquire relevant Knowledge:
Relevant to your unique talents (Get all the facts and lessons that can be learnt)
3) Develop Skill:
Doctor Otabil defined skill as ‘Formalized steps of an activity. Consistency’
Skill helps you to predict and repeat success.

His conclusion on skill was that once you have it, you can maneuver success under any circumstance.

We declare peace in Kenya

some blogs on whats going on in in Kenya. Everyone has their own views.

http://www.kenyanpundit.com/ very detailed linked to numerous blogs

http://blog.thinkersroom.com/

kumekucha.blogspot.com

At the end of the day, we just want peace. PEACE IN KENYA!

PRAY FOR PEACE IN KENYA

ALL WE WANT IS PEACE IN KENYA. STOP FINGER POINTING, PEOPLE ARE SUFFERING.
http://josephkaroki.wordpress.com/

African influence in the west

Roberto Cavalli’s Spring/Summer 2008 collection called “La Ma Africa” in Milan.

Looks like designers are borrowing from African prints whereas before it was only about the Safari suit and animal prints looks like they are going deeper.

Jamhuri wear

Jeffrey Kimathi - Jamhuri Wear

Interview by Elias Mageto

Jamati: What inspired you to start Jamhuri Wear?
Kimathi: I felt there was a void in the way Africa was being represented in the Fashion industry, The continent was bringing the models, but not dressing them.
So we wanted to add on to the story.

Jamati: Are there any Designers you look to for inspiration?

Kimathi: Yes, cause once one is lifted others are inspired and these are the few that inspire me…Moshood, Oswald Boatang Fundi Frank, Ralph Lauren, Stone Cherry and of course Russell Simmons

Jamati: Now, the main reason I really wanted the world to hear about you is because of how well you’ve managed to place your products. I mean I’ve seen your T-shirts on everyone from Akon to Jay-Z. Who else wears Jamhuri themed shirts and who would you like to see wearing your T-Shirts?

Kimathi: Like you said , Jay– Z, Tom Morello, Akon, K’naan, and Damian Marley. Some one I would love to see wearing one of my pieces is none other than the future president of the free world himself Barack Obama.

Jamati: What’s in store for Jamhuri Wear? Do you have any intentions of
expanding the line?

Kimathi: Absolutely…we will get into the full range of outfits and divesity for our customers.. and just keep putting out that fresh dope stuff we have been known to bring.. It’s just a matter of time We’re also doing other things with the Jamhuri brand,though.

Jamati: Really, When and what can we expect to see next?
Kimathi: We believe that every story needs a soundtrack so we are doubling in Music and visuals as well, We are just as exicted to be able to do this.
Jamati: Besides fashion, what other things interest you?

Kimathi: A lot man; We are into infusing and attaching our heritage to repackaging that African IMAGE and promoting this Safari Lifestyle. We understand this will encompass a lot of facets of life…and we trying to get better at all this and still do it well, that’s the enjoyment of it cause we don’t have any boundaries…Its all about dignity to us.

Jamati: Bwana Kimathi, thanks for your time. Before I let you get back to
your busy schedule, do you have any advice for young entrepreneurial minds
like yourself that want to break into the game?

Kimathi: LIVE IT! LEARN IT! AND LOVE IT! That’s what I do everyday now.
I had a choice to work a safe career, but instead I took a chance. It’s not
easy but if you get joy out of it then go for it!


Jamhuri Wear LLC|New York, NY|Phone: 1 800 9 Jamhuri

Jamhuri@jamhuriwear.com
www.jamhuriwear.com
www.myspace.com/jamhuriwear

North Africa

North Africa's fashion is rich with details, colors and layer.

SAHARAN VIBE

Found this amazing blog by South Africa designer who I greatly admire here is the blog "Started up in 2001 by Vanya and Thando Mangaliso, Sun Goddess has now flourished into one of South Africa's most sought after labels. Vanya and Thando started the Sun Goddess fashion label selling skirts out of the boot of their car. Four years down the line Sungoddess had employed 30 people. The garments are designed and produced in Johannesburg."

South Africa fashion

The South African designers have a very rich environment to nurture such beautiful talent.

Maua mazuri

I like these

Tanzania

very pretty colors, incoporated print

Uzuri aaahhh nice

MIMI magazine

the t shirts are about loving who you are. very interesting see

http://www.mimimagazine.com/

African bride

It is my mission to create fresh looking designs inpired by Africa from the north, the south, east and west. Whats in the market right now is heavily influenced by beautiful west African fabrics, and maasai beads. We need a fresh unique look with a personality.

missing

this is nice, the jewelry gives it a lift.
www.tk-designs.com

beautiful!

Distance Nairobi to Sanjose

Distance from Nairobi to San Jose
Distance is 15,460 kilometers or 9606 miles or 8348 nautical miles
The distance is the theoretical air distance (great circle distance). Flying between the two locations's airports can be longer or shorter, depending on airport location and actual route chosen.

Interface Design Quotes

Interface Design Quotes

Bits of inspiration from interface designers, architects, authors...

“A designer knows he has achieved perfection not when there is nothing left to add, but when there is nothing left to take away.”
—Antoine De Saint-Exupery

“Truly elegant design incorporates top-notch functionality into a simple, uncluttered form.”
—David Lewis, 2006

“When you take technology and mix it with art, you always come up with something innovative.”
—Robert Rodriguez, 2006

“An enterprise's most vital assets lie in its design and other creative capabilities.”
—Samsung chairman Kun-Hee Lee, 2006

“Business success is always defined by the quality of the overall customer experience.”
—Forrester Research, 2001

“Websites that are hard to use frustrate customers, forfeit revenue and erode brands.”
—Forrester Research, 1998

“It's all about one thing: creative problem-solving to get the story out.”
—Robert Greenberg, R/GA, 2006

“The challenge is about taking things that are infinitely complex and making them simpler and more understandable.”
—Robert Greenberg, R/GA, 2006

“The product is the brand. You build brand in our industry through the product and the experience.”
—Jim Wicks, Motorola, 2006


“It's really hard to design products by focus groups. A lot of times, people don't know what they want until you show it to them.”
—Steve Jobs, 1998

nzuri sana

colorful masai beads

Mzuri

Bag, Maasai, Kenya
Second half of the 20th century
Cow hide, glass beads, iron, plant fibre
53 cm (l) x 43 cm (w)
Patterns featuring half moons are found on many Maasai personal objects and ornaments.

White beads

Oh white beads Must be Maasai from Tanzania I noticed the color differences bettween Kenyan and Tanzania Maasai beads and clothing. Availability...I guess

African bride

african bride

African bride

Whenever I think of the African bride I think of rich colors and fabrics, warm hues, and the most beautiful jewelry. I am embarking on a journey to find just that all over Africa or... the web

Such rich colors from BBC Nigerian bride

OMG

Oh my Gosh, I finally found it.

The Hello Africa Trunk show, Bridal wear with an African twist also very sophisticated

http://www.adelewechsler.com/ my future competition its on girl!

African inspired bridal gown

message in the clouds

nature

my website

My website in working progress, I will put it up anyway...

Furahachao.com

Finally got the lightbox to work. Found some really cool sites for web design

witty sparks

Smashing magazine

very resourceful.

I AM AFRICAN

If you want to donate money for a good cause the keep a child alive org. works towards helping children affected by the AIDS pandemic in our motherland. click on the link below

http://keepachildalive.org/

Harriets alter ego

I was surfing and accidentally stumbled upon Harriets alter ego. way to go girl!

also featured on Runway Africa.

http://www.runwayafrica.com

Structural

just absolutely love em, very inspiring.
her statement "Helena Hörstedt is a Swedish design label. It was created after my graduation from Beckmans School of design, Stockholm, 2004.
The label provides handmade garments with emphasis on structures and techniques, advanced details and classic tailoring.

I think the genuine work and the handcrafted feeling gives an irreplaceable value to the garment. The trade of handcrafting is always one of the most important sources for both construction of and inspiration for my design.
I want my garment to be a fascinating visual experience as much as a usable. I want them to build a desire, continuously expand and to surprise the beholder."

Tree

O.k is this strange... it looks androgynous too.

Duro Olowu

LONDON, February 12, 2007 – Duro Olowu's show has finally brought the talent that's been cooking away in his Portobello Road store, OG2, into full sight. A Nigerian with a sophisticated eye for mixing splashily printed vintage couture fabrics with seventies-style tailoring and hoards of exceptional jewelry, he has steadily built a business—and many friends—around the first signature wide-sleeved, high-waisted patchwork dress he designed two years ago. Today's violet and bright-green African-print velvet coats instantly captured the essence of his appeal in their exuberantly luxurious swing.

"I wanted it to have practical volume," he said, "a regal normality. I called it 'Bamako Pompadour.'" Bamako is the capital of Mali, which, he explained, "had an empire of huge wealth and intellect—and beautiful women."

If it was smart to lay a foundation for a couple of years before deciding to show, the move also raised the bar for Olowu, setting him the task of proving he can do more than just that one dress. He pulled that off by orchestrating a total look, from leather headband visors to necklaces made from recycled belt buckles and beads to shiny patent shoes and boots—all sourced from craftspeople he found around London. His new squared-off agbada dress, in fluid brown, black, and gray color-blocked jersey, had an easy, drapey elegance that looked fresh. And though a too long section of gamekeeper tailoring in the middle broke the spell a bit, that was only a minor beginner's demerit in a collection that brought a welcome shot of energy to London's shows.

– Sarah Mower

Respect yourself: The politics of black pride

While still thinking of African art...I came across this a article about black pride back in the 60's. The one thing that struck a code was the importance of identity,
or identifying with something be it, music, art, (culture) that you feel represents who you are. Sort of taking back what is rightfully yours.

Respect yourself: The politics of black pride

‘I suppose culture and style . . . [are] a symbolic aspect of our resistance,
our determination to be identified different from others, to have something
we can say is our own, that sets us apart from others.’ Linton Kwesi
Johnson, 1991

During the 1960s and 70s many young black people in Britain used
clothes to express the inequalities of racism and a sense of alienation.
It was a defining period in black British history, what Stuart Hall calls a
‘certain moment’ when an individual or group defines itself as ‘black’,
African or Caribbean following migration to a country that is
predominantly white.

Black people in Britain looked to the Civil Rights and Black Power
movements in the United States for guidance. They rejected Euro-
American notions of beauty and dress to express their black identity
and cultural heritage. Instead, they sought alternative dress styles
which included African textiles and embraced the ‘true’ beauty of
natural hairstyles such as the afro. The dashiki, the afro comb and
the leather ‘Shaft’ coat became key components of what Van Dyk
Lewis calls ‘the archive of black styles’, one which reaffirms black
resistance and black identity.

Simultaneously the music of Jamaican ska, jazz, soul and the
counter-cultural ructions of the ‘swinging sixties’ were other sources
of cultural inspiration. Black people mixed these references into their
dress styles to validate their cultural values and sense of personal pride.
(www.vam.ac.uk)

Fashion in Africa

More notable African designers.

Xuly Bet

Lamine Badian Kouyaté was born in Mali in 1962. Formerly trained as an architect in Paris, he turned to fashion and launched his first collection in 1989.

Working under his label Xuly Bet (“watch out” in Wolof), Lamine has created a young, urban and trendy style in which the body is moulded and idolised. He uses synthetic materials (sometimes hand-dyed in Senegal), lace, fake fur, T-shirts with provocative slogans, and the omnipresent red thread to keep track of an extravagant woman who has no inhibitions about flaunting herself.

Using the African tradition of recycling garments, he creates reknitted jumpers, dresses made of patchworked and painted T-shirts, and recycled army coats lined with fake fluorescent fur.

Lamine Youyaté was awarded with the prestigious Creator of the Year award in 1994 by the New York Times and received the ANDAM awards in 1996. His label is sold in Europe, America, Africa and Asia.
Joel Andrianmearisoa

Joel Andrianomearisoa was born in Antananarivo, Madagascar, in 1977. He entered the Fashion Academy of Antananarivo at the age of twelve. The first presentation of his fashion designs took place in 1995. He has been studying architecture at Paris University since 1998.

For his fashion collections, Joel experiments with materials like wood, metal, stone and plastics, ones usually associated with sculpture rather than fashion design. He applies the concept of 'archi-couture', using geometrical and radical forms and creating object-garments, mostly black. He also uses unusual and exclusive woven materials.

In 1996, he was distinguished as Young Talent '96. In 2000 he staged performances at the Centre Georges Pompidou and the Musée d'ArtModerne de la Ville de Paris. He lives and works in Madagascar and Paris, where he designs costumes and scenery for theatre, film and television.
Hassan Hajjaj

Hassan Hajjaj was born in Larache, Morocco, in 1961. Having arrived in Britain in his teens, he grew up amid the emerging club culture of London, absorbing the music and styles of reggae, hip hop and worldmusic. In 1984 he decided to forge a solid relationship with the New York scene and in the same year he launched his own clothing andaccessories label, RAP.

In his work, Hassan Hajjaj playfully applies new technologies to redefine the imagery that pervaded his childhood. From the fez to the camel, he takes on the European stereotypes of the North African world and turns them into a visual celebration of the 'souk with a twist'.

Hassan Hajjaj designed the stunning Salon Afrique interiors that graced the Royal Festival Hall during Africa Remix.

African art-precolonial nostalgia

I was looking at Art from Kenya, and...it seems as if most of the artists on the inside Africa art from Kenya have a very similar style. Sort of precolonial nostalgia or "tourist art" i dislike using that term but really comments please is it just me. I am caught up on the same thinking it seems look at my art. Its filled with a images from a not so distant past women with pots, how many times do you see this in Nairobi. As a matter of fact I have never seen a woman carrying a pot on the head. And then there is the maasai's love them. This culture is very alive and well I grew up in Ongata Rongai so this I have witnessed. I guess its pride, we are proud of our culture, so we are holding on to it and recreating it in our art. Shooo o.k that makes sense.

Fashion texture

Chronology of Africa independence

My art is finally here

To see the rest go to http://www.furahachao.com

The African Channel

Check out the African TV channel and spread the word.



http://www.theafricachannel.com/

John Olympio

John Olympio states that "When I paint I don't think - it's like a dream and you can't plan what you dream," he explains. To keep the connection with the spirits of his home land, he works only with pigment from his native country, Togo.

He comments, "The pigments communicate well with me and are from the earth."

The exhibit 'Something from Nothing', which he initially named 'Everything and Nothing', reflects on one of his life philosophies.

Source Mshale

Data Structure

I started designing this complex data structures,and I am hooked this is one of a series.

Investing in Africa

In the talk that opened TEDGlobal 2007 ("Africa: The Next Chapter"), South African investment banker Euvin Naidoo sets the scene, framing the conversation that would unfold over the four-day event. "What's the worst thing you've heard about Africa?" he asks. After fielding call-outs of "famine," "war," "corruption," he urges the audience to move past these preconceptions -- and offers a compelling picture of a continent on the cusp of enormous change.

http://www.ted.com/index.php/talks/view/id/154

Bono on Africa

Musician and activist Bono accepts the 2005 TED Prize with a riveting talk, arguing that aid to Africa isn't just another celebrity cause; it's a global emergency. He argues passionately that mere charity won't solve the serious problems facing the world's second-largest continent. The solution, he says, is equal human rights. And it isn't just our moral obligation; it's an economic and strategic necessity. He ends by unveiling his TED Prize wishes, calling for TED's help to build a new social movement for Africa.
http://www.ted.com/index.php/talks/view/id/59

Amazing rendering

Just amazing

Faith

POWER DRESSING

I want this Book.

POWER DRESSING: Men's Fashion & Prestige in Africa

Discover the artistic diversity and visual splendor of African men’s dress in this first exhibition of its kind in the United States. Power Dressing: Men’s Fashion and Prestige in Africa brings together fifty spectacular examples of male attire from across the continent, from Morocco to South Africa, representing over a century of fashion. Drawn from the Museum’s own important collection, as well as from private and public lenders, the works on view reveal how a man’s clothing can define, sustain and reinforce ideas about power and status. The exhibition is organized into four broad and intersecting themes-Style and Status, Fit for a King, Divine Dress, and Identity and Innovation -- that offer rich insights into the meanings of men^s fashions within Africa^s diverse and ever-changing cultural and political landscape.

Africa investing opportunities

Ngozi Okonjo-Iweala, the former Finance Minister for Nigeria (and the first woman to hold that job), talks about the good in Africa as opposed to what the media potrays.



http://www.ted.com

Photosynth demo

ohh this is amazing, the possibilities and of course dude works for Microsoft.




"Using photos of oft-snapped subjects (like Notre Dame) scraped from around the Web, Photosynth (based on Seadragon technology) creates breathtaking multidimensional spaces with zoom and navigation features that outstrip all expectation. Its architect, Blaise Aguera y Arcas, shows it off in this standing-ovation demo. Curious about that speck in corner? Dive into a freefall and watch as the speck becomes a gargoyle. With an unpleasant grimace. And an ant-sized chip in its lower left molar. "Perhaps the most amazing demo I've seen this year," wrote Ethan Zuckerman, after TED2007. Indeed, Photosynth might utterly transform the way we manipulate and experience digital images."

http://www.ted.com

Digital sweetness

Wow the digital world. Microsoft has come up with some really cool touch screen
ways of manipulating data on a an interactive table. This is probably how people are going to be shopping in the future.
Check this out http://www.microsoft.com/surface/

conformity

Ever since web 2.0 all new websites seem to look the same, everyone is using Div tags instead of tables which increases loading spead but...its boring the CSS is getting to be more complex or lengthy but the pages all look the same. If you think I am kidding look at this designs, http://bestwebgallery.com even blogger, MSN does this.

Art

Jaques Leconte

Art

Ben Agbee from African encounters

Ahhh Art

Wiz Kudowor African Encounters

Oumou Sy

Oumou Sy has made a name for herself as a designer of Couture and Ready-to-Wear fashion, as well as jewelry and other fashion accessories. Sy has also made a name for herself as a costume designer for theatre and films, garnering awards for her work in film festivals in Milan, Johannesburg and Ouagadougou. She has even done set design in films. She has over a dozen films to her credit. She has strong ties to the international entertainment industry. Singers Baba Maal and Youssou N’Dour and filmmakers Ousmane Sembene and Flora Gomes are among her clientele. An artist and a businesswoman, Oumou SY works to build a sound infrastructure for the African fashion industry. To that end she has organized the annual Semaine de la Mode (fashion week), during which designers from all over Africa display their work. Further promoting the continued African presence in the world of fashion, Sy has taught at Ecole des Beaux Arts and ultimately founded Ateliers de Stylisme et de Formation aux Arts et de la Parure en Afrique et en Occident. Métissacana, a cybercafe Sy created, not only highlights her work, it is a project she uses to help build and promote a stronger Senegalese presence.

conceptual fashion2

Seidnaly Alphadi, Known as the “the child of the desert”, Alphadi combines traditional African techniques with contemporary style to create fashion for the modern African woman. He is aware of the fashion’s power to bridge cultural gaps. Alphadi is a founding member of the Federation of African Creators. From his base of operations in Niger, Alphadi organized the first Festival International de la Monde Africaine, FIMA. He would like to prove that African designers “can reach the summit of fashion like all other famous designers”

Uzuri

Personal Development for Smart People

For those of you who are motivated and ambitious you might this site very handy steve pavalina

My space

Whats up with my space, it must be because I am over thirty but I cant figure out the clutter. No privacy either anyone can look at you and all your friends and all the correspondence. And I cant stand the scroll with the translucent background GRRR! Cant even read it. The first time I was had my page up, I went back to find some really wierd people requesting to be my friends. Thats why I am sticking to my blog. Its clean and legible.

sandrabacklund blank page

Wow the possibilities. Just glue and paper?

The brain machine interface

Sheer genius, I would like to know how you can move objects without moving a finger, hmmm.

Hitachi, Ltd. Scientist Hideaki Koizumi holds a brain model while researcher Akiko Obata wearing a head gear during a demonstration of a new technology that reads brain activity and lets you control everyday objects without lifting a finger at Hitachi's research lab in Hatoyama, near Tokyo, Wednesday, June 20, 2007. The 'brain-machine interface,' developed by Hitachi, analyzes slight changes in the brain's blood flow to detect brain motion and translate it into electric signals.

African queen

The power of the media

I was reading this article, I could not help but notice how these words "if you read the newspapers" jumped on me. For decades Africa has been potrayed as a continent plagued with all kinds of evils from war to disease. I feel that its our responsibility as Africans to change that script.



EMERGING MARKETS REPORT
Investors in Africa seeking undervalued names, diversification
Funds head south of the Sahara as banking and telecom sectors expand
By Polya Lesova, MarketWatch
Last Update: 12:01 AM ET Jun 21, 2007

NEW YORK (MarketWatch) -- Where most investors see a continent plagued by underdevelopment and conflict, others recognize Africa as the next frontier, whose accelerating economic growth and long-term potential are creating compelling investment opportunities."We're convinced that the perceived risk in Africa is greater than the actual risk for disciplined and focused investment," said Thomas Gibian, chief executive of Emerging Capital Partners, which manages more than $1 billion in five private-equity funds focused on African companies."We thrive on diversification -- across regions in Africa, across currencies, across sectors," he said.

After decades of colonialism, violence and poverty, some African countries, particularly those south of the Sahara Desert, are experiencing an economic renaissance, propelled by more than rich deposits of natural resources. The banking and telecom sectors are luring foreign investors, who are now hunting for deals in smaller countries including Ghana, Botswana and Zambia, not just South Africa. Certainly, significant challenges remain, including ongoing conflicts in some countries, corruption and HIV infection.

"Optimism is what separates people today," said Lawrence Speidell, co-manager of the Frontier Market Select Fund, L.P., a $4-million, long-only hedge fund that invests in frontier equity markets, most of them in Africa."If you read the newspaper, you're very worried because a lot of news is bad news," Speidell said. "If you take a step back and you take a look at the patterns that are in place in the world, you'll see that there's a long-term movement of the world toward democracy and peaceful settlement of disputes. "Optimism is one of the four pillars on which Speidell bases his investment philosophy; the others are history, risk, and globalization.
Sub-Saharan Africa posted economic growth of 6% in 2006 and is expected to grow by 6.7% this year, making it one of the fastest-growing regions in the world, according to the International Monetary Fund. In contrast, between 1980 and 1999, the region lagged far behind global growth -- its GDP grew by about 2% on average. China, with its insatiable appetite for commodities, is becoming a key destination for African exports.

"While key oil exporters like Angola, Equatorial Guinea and Nigeria are expected to enjoy some of the fastest growth rates in Africa in 2007, they are not the only countries enjoying rapid economic growth," said John Orford, South Africa-based strategist at UBS Investment Research, in a June research report.
Sub-Saharan Africa posted economic growth of 6% in 2006 and is expected to grow by 6.7% this year, making it one of the fastest-growing regions in the world.
"Indeed about 18 oil importers will enjoy growth rates of 5% or higher in 2007," Orford said. "A number of factors -- better macro management, lower inflation and rising savings and investment rates -- are supporting higher growth across the continent. "Some countries in Africa have made partial progress on implementing economic reforms, specifically when it comes to monetary, regulatory, trade, fiscal and financial policies, Orford said. Barriers remain, however, in areas like property rights, investment freedom and corruption.

Inflation in sub-Saharan Africa, with the exception of Zimbabwe, is forecast to fall to about 7.1% from 7.2% in 2006 and 8.1% in 2005, according to IMF figures quotes by UBS. Investment-to-GDP ratios are still very low, but rising.
External debt has declined and foreign private capital flows are increasing. Net foreign direct investment in sub-Saharan Africa excluding South Africa climbed to $18 billion in 2006.
Attractive sectors
"We have been able to identify many investment opportunities where there are near-monopolistic environments," said Gibian of Emerging Capital Partners, the pan-African private-equity firm.
The companies he invests in "operate with preferential access." For example, if it's a natural resource, the company has the rights to the mineral or energy source that they are developing.
Emerging Capital Partners has made more than 35 investments in 30 African countries. In some deals, the firm takes a controlling position, but as a rule it always acquires a seat on the boards of the companies in which it invests.
"We look at businesses where Africa has historically had a comparative advantage -- in energy businesses, because that's where the oil and gas is, in mining, in agriculture, even in tourism," Gibian said.
One such company is Anvil Mining Ltd. (CA:AVM: news, chart, profile) (AU:AVM: news, chart, profile) , a copper and silver producer that is listed on the Toronto and Australian stock exchanges. The company operates several mines in the Democratic Republic of Congo.

Another example is Artumas Group Inc. (DE:A0J34E: news, chart, profile) (NO:AGI: news, chart, profile) , an energy producer that operates hydrocarbon reserves in Tanzania and Mozambique.
"We also look at businesses where Africa has lagged -- in terms of banking, telecommunications, distribution -- these are not areas where historically Africa has held itself up as an example of efficiency," he said. "Our track record is the most complete in the area of telecommunications and now in the area of financial services and financial institutions," he said.
Among the firm's investments are Celtel International, a mobile telecommunications company; Continental Reinsurance Plc, Nigeria's largest reinsurance company, which was recently listed on the Nigerian Stock Exchange; Intercontinental Bank Plc, the fifth largest banking group in Nigeria; and Ecobank Transnational Inc., one of the largest regional banking groups in sub-Saharan Africa and a company that is listed on stock exchanges in Ivory Coast, Nigeria and Ghana.
"There has been tremendous investment in Africa -- look at Air France, Exxon, Shell, De Beers etc. -- but investment in Africa typically did not create opportunities for emerging markets buyers to take a position," Gibian said. "We are very keen to build companies that deserve to be liquid."
Low liquidity continues to be one of the major problems for investors in Africa's equity markets, with the exception of South Africa, Egypt and partially, Nigeria. The ratio of market capitalization to GDP remains low, while sector composition is also mostly biased toward the financials.
"With the exception of South Africa and Egypt (relatively diverse sector composition) and Côte d'Ivoire (dominated by a single telecommunications stock) financials account for between 40% and 90% of African equity markets," according to UBS's Orford.
South African stocks stand out as the clearest beneficiaries of African growth, he said. UBS's favored picks from South Africa are communications company MTN; the country's largest retail bank ABSA; food retailer Shoprite; and construction firm Group 5.
One way for American investors to invest in South Africa is through the iShares MSCI South Africa Index Fund an exchange-traded fund that tracks the performance of the country's stock market.

Today's prices and tomorrow's liquidity
Speidell looks beyond South Africa in his search for attractive African stocks. As of March 31 this year, the Frontier Market Select Fund owned 18 stocks in 12 countries around the world. Country-weightings include Botswana (10%), Ghana (21%), Nigeria (9%), Malawi (2%), Senegal (8%), Tanzania (5%) and Zambia (5%).
Speidell points out four reasons why he invests in frontier markets.
First, the history of emerging markets is the future of frontier markets, Speidell said. Second, globalization and technology, particularly cell phones and the Internet, are making information available to millions of people in some of the poorest and most remote places in the world. Third is optimism, and the fourth reason is risk. "The reason I say that these countries offer a different kind of risk to a portfolio is because they are different in that they do not move with the other established world markets," Speidell said. "They don't move with New York, London or Tokyo or Russia or China."
Only about 6% of the movement in frontier markets could be considered related to the movement in the S&P 500, Speidell said: "Frontier markets certainly move, but in a way that's so largely independent that they provide wonderful diversification to a global portfolio."
Among Speidell's favorites are the smaller markets in Africa like Ghana, Botswana, and Zambia.

"We're hoping to benefit from the fact that these markets are not well-understood and that there will be undervalued names in almost every market," he said.
"There are local brokers, the companies do publish annual reports," Speidell said. "There are broker services that go out to companies and get the reports; when you have the report, you have market opportunities because the data are not so closely followed that the stocks will only move within a narrow band."
Speidell's fund invests in a variety of sectors, including consumer staples, finance, telecommunications, transportation and construction.
"Liquidity is a problem," Speidell said. "It's not to say that trading is impossible. One needs to be patient to figure that the opportunity here is to get today's prices and tomorrow's liquidity."

Eco-conscious material girl

I am very inspired by her go getter attitude.

By Janice Blackburn

Published: June 8 2007

As a girl, Jenny White decided that her conservative, traditional school needed shaking up, so she launched a student radio station, a newspaper and a gossip magazine and painted murals all over the walls.

After studying graphics at Central Saint Martins, ­London, she spent four years working as a junior art director but soon tired of the “somewhat safe lifestyle”. So she quit her job to become an environmentally friendly textile designer.


“I wanted to create something new,” she says. “I had become very eco-conscious, eating organic food and using Dr Hauschka’s cosmetics. I also knew that textiles was a horrendously polluting industry and I wanted to find a way to make products that were created with care for the environment. I have always been ambitious and wanted to do something exciting and work for myself.”

She returned to Central Saint Martins, enrolling in a two-year masters course in “textile futures” and her final project involved creating a luxury brand focused on sustain­ability. Her tutors were supportive but “they didn’t have any business skills or manufacturing experience themselves”, she says. “They were all researchers and artists.”

Undeterred, White signed up for a series of talks called Create A Living, which focused on the importance of writing a business plan and, by the end of her course, she had one. Her brand, Eco-Boudoir – Luxury with a Conscience, would sell textiles and homewares that were not only eco-friendly but also “very personal, very sensual and sexy”.

“I thought: ‘Great. I have the brand concept, I’ve done some research and there is a gap in the market. It’s time to make some products and see if I can sell them’.” She now realises that was beginner’s naivety. Her business plan was passable but it didn’t have the essential “three Ps – product, place and price” right.

So she spent another tough year mastering more skills: pattern cutting, garment costing, manufacturing, price negotiation, accounts, VAT, customs and shipping. At the same time she was also designing a full range of throws and cushions, lingerie and a selection of feminine incidentals, such as eye masks and aromatherapy bags, for the bedroom, inspired intriguingly by her somewhat eclectic interests – burlesque, decadence, ecology and the home environment. She decided to make them out of a luxurious woven fabric she calls “bamboo” (apparently softer and silkier than cashmere), digitally printed silks and laser-etched vege­table-tanned leathers.

She finally launched the Eco-Boudoir range in February at the International Salon de la Lingerie in Paris and the reaction was impressive. Boutiques in New York, Athens, Germany, Scandinavia, Switzerland and the UK (from department store Liberty to boutique Phoebe Carlyle) now stock the wares. More recently White was involved in an exhibition during New York’s International Contemporary Furniture Fair called Haute Green and in August she will show at the Lingerie Americas trade show.

She thinks the extra business training she took on has been key to her success. “Creative brains often work in a different way. You can have the best idea in the world but if it can’t be produced, the price is wrong and you don’t know how or where to sell it you don’t stand a chance. The production process [for example] was a roller- coaster of problems for me but in the end it was the most important aspect of the business that I needed to get a tight rein on.”

There are still problems to resolve. Her collection is very broad, the eco-friendly materials she uses are expensive and the pound is disadvantageously strong against other currencies. Sometimes, White acknowledges, she thinks she might like to have a business partner or investor to share the burden. (“Starting and running your own business is not for the faint-hearted.”) But she also loves her independence and is pleased to have made it so far on her own.

She hopes to set an example for other designers and is full of advice for would-be entreprenuers. “Make sure your idea is valuable, long-lasting, strong, viable and versatile,” she says. “Research your market. There is no point trying to sell something that is already out there. Make sure your prices are right. And keep it simple at first.

Most importantly, “have the determination to see things through. If it doesn’t seem to be working out it doesn’t mean that you can’t develop something else within the same concept and make it work.”

Processing Vs Flash

I have seen both, I wonder if processing is just a more basic version of actionscript

http://www.processing.org/

Code that creates amazing design...mostly mathematical
Design in numbers aagh! lets leave out the numbers.
Design with color thats more like it...

Processing: Creative Coding and Computational Art

This book is written especially for artists, designers, and other creative professionals and students showing how to use Processing for code art, graphics programming, and computational aesthetics.

I got a crush on Obama

Hilarious video on Utube.

Design give

I found this site, where you can design a T shirt, the designs would then be sold to raise money for social issues. Can your art change the world?

http://www.designgive.com/

one.org

African childrens choir perfoming at a one rally.
One.org an organization started by Bono, I am so touched by what they are doing with their celebrity status. If you want to join by going to www.one.org
The ONE Campaign is an effort by Americans to rally Americans – one by one – to fight the emergency of global AIDS and extreme poverty. ONE is students and ministers, punk rockers and NASCAR moms, Americans of all beliefs and every walk of life, united to help make poverty history.

Gender differences

This is long, but really interesting.

"Sizing Up The Sexes" by Christine Gorman

More men than women are left handed; more women than men listen with both ears, men favor the right ear.

Men and women perceive the world in different ways. Men excel at rotating three-dimensional objects in their head. Women prove better at reading emotions of people in photographs. However, there's much overlap.

Women have a double dose of the large "X" chromosome. Men have a single "X" and a short, stumpy "Y". Normal men also are affected by a larger level of testosterone (hormone) while their mothers are in pregnancy.

In men the hypothalamus (small organ near the brain stem) is larger than in most women. When provoked, the hypothalamus heightens rage, thirst, hunger and desire; possibly explaining boys' more rambunctious behavior.

In most women, the corpus callosum is larger. This thick bundle of nerves allows the right half of the brain to communicate with the left. This may help explain women's intuition and ability to read emotional cues. There may be other areas where the woman's brains have more connections then the man's.

This greater communication between sides of the brain may be a distraction when, for example, reading a map. Men are more able to rotate the images in their heads, women tend to need to turn the map around.

For both sexes, the principal language centers of the brain are usually concentrated in the left hemisphere. Because women use both sides of their brain, their appreciation of everyday speech appears to be enhanced by input from various cebral regions, including those that control vision and feelings. Thus girls often begin speaking earlier than boys, enunciate more clearly as tots, and develop a greater vocabulary.

by J Madeleine Nash

Men tend to be far more upset by a lover's sexual infidelity than do women: just imagining their partner in bed with another man sends their heart rate soaring by almost five beats a minute.

Women react more strongly to the threat of emotional infidelity. What women fear most is the loss of their mates' long-term commitment and support.

Larry Crabb, "Men and Women", Zondervan Publishing, Grand Rapids

Men see themselves more as separate individuals, achieving something; women more as persons whose identity is found in relational attachments.

"Instead of attachment, individual achievement rivets the male imagination."

For men, the dominant ideas are: separateness, achievement, entering.

For women, the dominant ideas are: involvement, attachment, invitation. This is symbolized in the sexual relationship, "men feel complete as they strongly enter; women feel enjoyed as they warmly invite."

Masculinity is at its best when men "enter their worlds with a humble but confident intention to do good". Femininity at its best when women "invite people into their worlds to experience the joys of relationships".

Women are focused on the strengthening of relationships, encouraging others, deepening attachments.

Willard F.Harley, Jr., "His Needs, Her Needs", Fleming H. Revell Company, Tarrytown

Man's five most basic needs in marriage:

1. Sexual fulfillment

2. Recreational companionship

3. An attractive spouse

4. Domestic support

5. Admiration

Woman's five most basic needs in marriage:

1. Affection

2. Conversation

3. Honesty and openness

4. Financial support

5. Family commitment

Concerning sexuality: men experience arousal and climax with relative ease; for women it's just the opposite.

THE IRRESITIBLE MAN

1. He meets her need for affection with plenty of hugs and kisses at every opportunity.

2. He meets her need for intimate conversation by talking with her at the feeling level.

3. He meets her need for honesty and openness by looking her in the eye and telling her what he really thinks.

4. He meets her need for financial support by firmly shouldering the responsibility to house, feed, and clothe his family.

5. He meets her need for family commitment by putting his family first. He commits his time and energy to the moral and intellectual development of his children.

THE IRRESITIBLE WOMAN

1. She meets his need for sexual fulfillment by becoming an excellent sexual partner to him.

2. She meets his need for recreational companionship by developing mutual interests with her husband.

3. She meets his need for her attractiveness. She keeps herself physically fit with diet and exercise, and she wears her hair, makeup, and clothes in a way that her husband finds attractive and tasteful.

4. She meets his need for domestic support by creating a home that offers him an atmosphere of peace and quiet.

5. She meets his need for admiration and respect by understanding his value and achievements more than anyone else.

John Gray, "Men are from Mars, Women are from Venus", HarperCollins Publishers, New York

Men value power, competency, efficiency and achievement; looking to prove themselves, develop power and skills. "Their sense of self is defined through their ability to achieve results." More interested in "objects" and "things" rather than people and feelings. Achieving goals is very important - to prove competency. Rarely talk is about his problems unless he needs expert advice. When his wife talks about problems he is quick to offer advice, to solve the problem, to fix it.

Women value love, communication, beauty, relationships. Spend time supporting, nurturing. Sense of self defined through their feelings and the quality of their relationships which are more important than work and technology. Intuitive, anticipating the needs of others. For women the sign of love is to offer help without being asked.

For men, the offer of help suggests he isn't competent, she doesn't trust him to do it himself. "For women, offering advice and construction is an act of love."

Men feel better solving problems. Women feel better talking about problems.

When men are under stress, they tend to want to be alone, to think about how they can solve their problem. When a women is stressed, she wants to talk it out; talking about the problems causes her to feel better.

When a woman talks to a man about her problems he feels she is holding him responsible. When a man doesn't talk about his problems his wife feels he is ignoring or rejecting her.

Men need to know they are needed. Women need to know they are cherished.

Women express feelings, men communicate information.

Men need trust, acceptance, appreciation, admiration, approval, and encouragement.

Women need caring, understanding, respect, devotion, validation, and reassurance.

Men typically handle arguments with "Fight" and "Flight" - intimidation or become silent; women with "Fake" and "Fold" - pretend there's no problem, or take all the responsibility for it.

Men think they score big points with big gifts; women score all gifts the same.

Women intuitively feel the needs of others and expect men to do the same.